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Oct31Written by:JFinsel 10/31/2008 8:26 AM  A look back at the scariest broadcast in Radio History, made almost 70 years ago. If you are interested... here's a link to a historical perspective of that broadcast. Let's say you were alive 69 years ago. There wasn't Television. What you did was listen to the radio. And, if you were hep, you listened to the Columbia Broadcasting System and Mercury Theater of the Air. And, if you tuned in at the top of the hour you would have heard both the Mercury Announcer and Orson Welles saying the following: MERC ANNOUNCER: Ladies and gentlemen: the director of the Mercury Theatre and star of these broadcasts, Orson Welles . . .
ORSON WELLES: We know now that in the early years of the twentieth century this world was being watched closely by intelligences greater than man's and yet as mortal as his own. We know now that as human beings busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacence people went to and fro over the earth about their little affairs, serene in the assurance of their dominion over this small spinning fragment of solar driftwood which by chance or design man has inherited out of the dark mystery of Time and Space. Yet across an immense ethereal gulf, minds that to our minds as ours are to the beasts in the jungle, intellects vast, cool and unsympathetic, regarded this earth with envious eyes and slowly and surely drew their plans against us. In the thirty-ninth year of the twentieth century came the great disillusionment.
It was near the end of October. Business was better. The war scare was over. More men were back at work. Sales were picking up. On this particular evening, October 30, the Crossley service estimated that thirty-two million people were listening in on radios. If, however, you were just a couple of minutes late tuning into your show, you might have thought you had tuned into another show entirely: ANNOUNCER: . . .for the next twenty-four hours not much change in temperature. A slight atmospheric disturbance of undetermined origin is reported over Nova Scotia, causing a low pressure area to move down rather rapidly over the northeastern states, bringing a forecast of rain, accompanied by winds of light gale force. Maximum temperature 66; minimum 48. This weather report comes to you from the Government Weather Bureau. . . . We now take you to the Meridian Room in the Hotel Park Plaza in downtown New York, where you will be entertained by the music of Ramon Raquello and his orchestra.
(MUSIC: SPANISH THEME SONG [A TANGO] . . . FADES)
ANNOUNCER THREE: Good evening, ladies and gentlemen. From the Meridian Room in the Park Plaza in New York City, we bring you the music of Ramon Raquello and his orchestra. With a touch of the Spanish. Ramon Raquello leads off with "La Cumparsita."
(PIECE STARTS PLAYING)
ANNOUNCER TWO: Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News. At twenty minutes before eight, central time, Professor Farrell of the Mount Jennings Observatory, Chicago, Illinois, reports observing several explosions of incandescent gas, occurring at regular intervals on the planet Mars. The spectroscope indicates the gas to be hydrogen and moving towards the earth with enormous velocity. Professor Pierson of the Observatory at Princeton confirms Farrell's observation, and describes the phenomenon as (quote) like a jet of blue flame shot from a gun (unquote). We now return you to the music of Ramon Raquello, playing for you in the Meridian Room of the Park Plaza Hotel, situated in downtown New York. It was a landmark broadcast because folks who missed the first couple of minutes were hooked. They kept listening to Ramon Raquello because they wanted to hear what was happening. And they did. With interruptions like this: ANNOUNCER TWO: Ladies and gentlemen, following on the news given in our bulletin a moment ago, the Government Meteorological Bureau has requested the large observatories of the country to keep an astronomical watch on any further disturbances occuring on the planet Mars. Due to the unusual nature of this occurance, we have arranged an interview with noted astronomer. Professor Pierson, who will give us his views on the event. in a few moments we will take you to the Princeton Observatory at Princeton, New Jersey. We return you until then to the music of Ramon Raquello and his orchestra. This went on for the entire show until, at the end, Welles broke character: Orson Welles: This is Orson Welles, ladies and gentlemen, out of character to assure you that The War of The Worlds has no further significance than as the holiday offering it was intended to be. The Mercury Theatre's own radio version of dressing up in a sheet and jumping out of a bush and saying Boo! Starting now, we couldn't soap all your windows and steal all your garden gates by tomorrow night. . . so we did the best next thing. We annihiliated the world before your very ears, and utterly destroyed the C. B. S. You will be releieved, I hope, to learn that we didn't mean it, and that both institutions are still open for business. So goodbye everybody, and remember the terrible lesson you learned tonight. That grinning, glowing, globular invader of your living room is an inhabitant of the pumpkin patch, and if your doorbell rings and nobody's there, that was no Martian. . .it's Hallowe'en. But the damage was done. People had panicked and Welles had opened a Pandora's box, one aptly described by New York Tribune columnist Dorothy Thompson: All unwittingly, Mr. Orson Welles and the Mercury Theater of the Air have made one of the most fascinating and important demonstrations of all time," she wrote. "They have proved that a few effective voices, accompanied by sound effects, can convince masses of people of a totally unreasonable, completely fantastic proposition as to create a nation-wide panic.
They have demonstrated more potently than any argument, demonstrated beyond a question of a doubt, the appalling dangers and enormous effectiveness of popular and theatrical demagoguery....
Hitler managed to scare all of Europe to its knees a month ago, but he at least had an army and an air force to back up his shrieking words.
But Mr. Welles scared thousands into demoralization with nothing at all. Nothing except their own imagination, the theater of their minds
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